You’re a coward you fool. You want no beefy blacksmiths huh? You think skinny people can fucking forge shit huh? As if they could fucking lift a sword? Youre a fool and a coward anon. I bet ur fucking 100 pounds like an idiot. I could sit on you and snap you like a twig. You will not survive the fucking winter you coward.
This is the most perfect reply to this I had to reblog it.
i dont know when it happened but somewhere along the way “shipping” got a new meaning for younger folk that seems to translate to “i want these people together for real asap”. i think the media had something to do with it. but guys.
guys.
shipping absolutely Does Not mean demanding anything from people/creators. shipping isn’t about expecting and waiting for the day it will certainly happen. it is not a direct translation to Happen Or Die.
shipping means you like the idea of two (or more) people together. you like the concept. you find it fun to imagine the dynamics. you even create fanon content of it (fic, art, edits). it’s all in your head and it’s Fine that way.
is it nice to have a ship become canon? oh my god, yes. but that’s not what shipping is about and yall need to take a step back and breathe because being a jerk to people aint gonna change their mind about ships.
“This is the point where the book begins making it painfully clear that the plot is not going to live up to the potential of the premise. Anne begins leaving random bouquets of daffodils around Whitehall in order to induce panic in Henry and the new queen Jane Seymour, but after a night-time visit to Mary Boleyn in the country (during which Anne weirdly rebukes her for not sending a letter while she was in the Tower, like every channel of communication wasn’t locked down) Anne accepts Mary’s evaluation of Jane as a good woman who is “very family-oriented” and decides to leave her alone. Except, wait! The ghost of Katherine of Aragon is lurking in Whitehall as well, leaving the occasional pomegranate as a sign of her presence, and her purpose there is to protect Jane from Anne, who has already decided not to hurt her, except Anne seems to forget that occasionally and is annoyed to see Katherine present even at Jane’s deathbed, guarding her to the last. (I had hopes for Katherine’s character, but unfortunately the only thing she ever says to Anne is “All hail, Anne, the scandal of Christendom” and she promptly vanishes from the story after Jane dies.)”
@thesunhasgonewibbly I mean honestly I can’t say I wouldn’t love a hug from a vampiric Anne Boleyn so like…relatable.
Also the idea of KoA’s last words as a ghost being ‘begone, thot’ is honestly funnier than anything i’ve ever imagined my life.
This is the point where the book begins making it painfully clear that the plot is not going to live up to the potential of the premise. Anne begins leaving random bouquets of daffodils around Whitehall in order to induce panic in Henry and the new queen Jane Seymour, but after a night-time visit to Mary Boleyn in the country (during which Anne weirdly rebukes her for not sending a letter while she was in the Tower, like every channel of communication wasn’t locked down) Anne accepts Mary’s evaluation of Jane as a good woman who is “very family-oriented” and decides to leave her alone. Except, wait! The ghost of Katherine of Aragon is lurking in Whitehall as well, leaving the occasional pomegranate as a sign of her presence, and her purpose there is to protect Jane from Anne, who has already decided not to hurt her, except Anne seems to forget that occasionally and is annoyed to see Katherine present even at Jane’s deathbed, guarding her to the last. (I had hopes for Katherine’s character, but unfortunately the only thing she ever says to Anne is “All hail, Anne, the scandal of Christendom” and she promptly vanishes from the story after Jane dies.)
